Vadon and Puszta—Hungarian
Vadon and Puszta—Hungarian
This chapter of the “Wilderness babel” exhibition, written by historical ecologist and environmental historian Péter Szabó, looks at Hungarian notions of “wilderness.”
This chapter of the “Wilderness babel” exhibition, written by historical ecologist and environmental historian Péter Szabó, looks at Hungarian notions of “wilderness.”
Astrid M. Eckert’s West Germany and the Iron Curtain takes a fresh look at the history of Cold War Germany and the German reunification process from the spatial perspective of the West German borderlands that emerged along the volatile inter-German border after 1945.
Bradley M. Jones explores the cultivation of life in ruins, through a multi-species ecological ethic revealed in the life and labor of a permaculture farmer in the Appalachian foothills.
Anja Nygren reviews the 2017 book Green Wars: Colonization and Conservation in the Maya Forest by Megan Ybarra.
Considering Caroline Wendling’s living artwork White Wood (2014) in northeast Scotland, the author examines the relationship between deep time, ecology, and enchantment.
Eileen Crist argues that the discourse of the Anthropocene refuses to challenge human dominion, proposing instead technological and managerial approaches that would make human dominion sustainable.
In this chapter from the virtual exhibition “Global Environments: A 360º Visual Journey,” Claire Lagier’s 360º video shows six-year-old agroforestry projects in a land reform settlement in the state of Paraná, Brazil. Her research focuses on agroecological rural social movements in this region.
In this exhibition, ENHANCE ITN doctoral researchers showcase short virtual reality video installations that emerged out of their own empirical and ethnographic fieldwork. The videos work by tracking, rendering, and displaying full-field visual, sonic, and tactile data in a context in which the viewer has full control and is empowered to decide what to look at, listen to, and feel—or which story to experience.
Sybille Heidenreich takes the reader on a journey through art history with an “ecological eye.” Looking at examples of Dürer, Monet, and Van Gogh, she offers insight into the emergence of present-day ecological crises and valuable food for thought on issues of sustainability.