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“A huge variety of possibilities”: Interview with Nobel Laureate Paul Crutzen on his life, his career in research, and his views on the Anthropocene idea

“A huge variety of possibilities”: Interview with Nobel Laureate Paul Crutzen on his life, his career in research, and his views on the Anthropocene idea

This interview with Paul Crutzen is a chapter of the virtual exhibition “Welcome to the Anthropocene: The Earth in Our Hands”—written and curated by historian Nina Möllers.

Welcome to the Anthropocene: The Earth in Our Hands

Together with the Rachel Carson Center for Environment and Society, the Deutsches Museum hosted a major special exhibition on the Anthropocene from December 2014 – September 2016, which was curated by Nina Möllers. Coined by the atmospheric chemist and Nobel Prize laureate Paul J. Crutzen, the term “Anthropocene” describes the idea of a new geological era shaped by deep interventions into nature by humans as biological and geological agents.

Nina Möllers

About the author

Möllers, Nina
Möllers, Nina

Rachel Carson Center for Environment and Society, LMU Munich, Germany

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Dr. Nina Möllers is head curator and project manager of the special exhibition “Welcome to the Anthropocene: The Earth in Our Hands.” She studied in Palo Alto, Tübingen, and Nashville, Tennessee and received her PhD in 2007 with a dissertation on “Creoles of Color in New Orleans.”

As part of a post-doc project at the Deutsches Museum she curated a special exhibition on the history of energy consumption in private households. Her publications include the exhibition catalogs Kabelsalat: Energiekonsum im Haushalt (2012) and Willkommen im Anthropozän: Unsere Verantwortung für die Zukunft der Erde (2015).

She is grateful to Josephine Musil-Gutsch, Vanessa Osganian, Brenda Black, Helmuth Trischler, Iris Trautmann, Eliza Encheva, and Dorothea Föcking for their collaboration on this digital companion exhibition.

Browse the exhibition

Exhibition Overview
About the exhibition
Food
Evolution
Urbanization
Mobility
Clock of the Long Now
Nature
Anthropocene milestones
Humans and machines
Interview with Paul Crutzen

Documentary film

Documentary film

Documentary films can be a means to disclose the elusive long-term effects of nuclear and chemical contamination. This is a chapter of the virtual exhibition “Representing Environmental Risk in the Landscapes of US Militarization,” written and curated by literary scholar Hsu Hsuan.

Representing Environmental Risk in the Landscapes of US Militarization

This virtual exhibition curated by literary scholar Hsuan Hsu examines the environmental impact of US military activities worldwide and how activists have used art and other forms of representational media to convey the harmful effects of militarization on the local population and landscape.

Hsuan Hsu

About the author

Hsu, Hsuan L.
Hsu, Hsuan L.

University of California, Davis, USA

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is an associate professor of English at the University of California, Davis and the author of Literature and the Production of Space in Nineteenth-Century American Literature (Cambridge) and Sitting in Darkness: Mark Twain’s Asia and Comparative Racialization (NYU, forthcoming). He has published articles on cultures of environmental risk in Jump Cut, Discourse, Daedalus, and New Literary History and co-edited a special issue of Discourse on the topic of “Environment, Race, and Representation.”

Browse the exhibition

Exhibition Overview
Introduction
Bases
Nuclear colonialism
Aftermaths
Mapping
Monuments
Photography
Literature
Monster movies
Reclamations
Documentary film
The Environment & Society Portal is a project of the Rachel Carson Center for Environment and Society, an institute founded in 2009 as a joint initiative of LMU Munich and the Deutsches Museum. Read more about the Portal in English and in German.