Yuyos
This film is an audio-visual ethnographic project lived together with the peasant family Franco Gauto, in Colonia Luz Bella, rural Paraguay.
This film is an audio-visual ethnographic project lived together with the peasant family Franco Gauto, in Colonia Luz Bella, rural Paraguay.
This is Chapter 6 of the exhibition “Rachel Carson’s Silent Spring: A book that changed the world” by historian Mark Stoll.
Libby Robin discusses animals in museums, and how taxidermy has changed from art in the service of science to the backbone of art itself, both in museums and beyond.
Libby Robin and Cameron Muir discuss representations of the Anthropocene in museums and events.
Libby Robin compares two major museum exhibitions on climate change that rely heavily on the IPCC models: Uppdrag Klimat (Mission: Climate Earth), at the Royal Natural History Museum in Stockholm (Naturhistoriska Riksmuseet), Sweden; and EcoLogic, at the Powerhouse Museum, Sydney.
Libby Robin discusses the implication of Sir Colin MacKenzie’s initiative to collect Australian marsupials.
Drawing on interviews with 25 Australian environmental leaders, the authors ask how international instruments with cosmopolitan ambitions influence the discourse and practice of national and subnational environmentalists attempting to find common ground with Indigenous groups.
Based on 25 interviews with Australian environmental leaders, the authors assess the value and benefit of the World Heritage Convention and the UNDRIP in relation to Indigenous communities and cosmopolitanism.
This article explores the prospects and politics of indigenous participation in multi-sector conservation, using the case of the Boreal Leadership Council (BLC) in Canada. It concludes that multi-sector conservation creates both new possibilities for indigenous empowerment and new forms of marginalization through the reproduction of a (post)colonial geography of exclusion.
This article focuses on contemporary literary and musical interpretations of changing relationships between humans and the environment in Mongolia. The author explores how these works relate to deep time, and crosshatches biographical, mythological, and geologic understandings of time.