In “Mapped Futures, Vanishing Places,” literary scholar Kumiko Kiuchi portrays the simple act of walking as an opportunity to inherit shared memory. Her writing takes off from Tokyo’s artificial waterfront into a creative space stretching from past generations into imagined futures, reminding us to remain “attentive to what cannot be fully possessed or understood.”
Excerpt from Confronting Water Insecurity: Global Institutions and the Transformation of Water Science, Policy, and Practice by Roberto L. Lenton.
John R. Gillis critiques the landlocked nature of environmental history, highlighting its neglect of oceans, which comprise most of Earth’s surface and are central to its ecosystems.
Eva Jakobsson examines her intellectual development in environmental history through a focus on water systems and hydropower.
Reflections on Amitav Ghosh’s Gun Island by Laura Otto.
In the fall of 2024, Amitav Ghosh visited the Rachel Carson Center for Environment and Society as part of the project “One Book—Many Worlds: Munich Reads Gun Island by Amitav Ghosh.” This exhibition emerges from the multifaceted discussion of climate change and its challenges conducted in the “One Book—Many Worlds” project and grapples with the question of the role of literary fiction in interdisciplinary academic exchange and climate communication beyond academia. Taking Amitav Ghosh’s recent writings on the global climate crisis, in particular the novel Gun Island, as a vantage point, the chapters in this exhibition engage with various aspects Gun Island from different disciplinary perspectives, drawing on storylines and narrative elements that allow a multifocal engagement with different social and ecological repercussions of climate change. Additionally, pieces from the spring 2025 taumelnd trauen, verschlungen bleiben student exhibition and winning and honorable mentions from the 2025 “Tell the Untold!” writing competition take the provocation to think creatively about the past and future of our environment and world further. Thereby, the exhibition chapters create a web of diverse thoughts on and readings of the role of storytelling for the contemporary interlinked social and environmental crises from a number of perspectives.
About This Exhibition
A poetic descent into illness parallels a whale fall, uncovering beauty, vulnerability, and new forms of living.
In the fall of 2024, Amitav Ghosh visited the Rachel Carson Center for Environment and Society as part of the project “One Book—Many Worlds: Munich Reads Gun Island by Amitav Ghosh.” This exhibition emerges from the multifaceted discussion of climate change and its challenges conducted in the “One Book—Many Worlds” project and grapples with the question of the role of literary fiction in interdisciplinary academic exchange and climate communication beyond academia. Taking Amitav Ghosh’s recent writings on the global climate crisis, in particular the novel Gun Island, as a vantage point, the chapters in this exhibition engage with various aspects Gun Island from different disciplinary perspectives, drawing on storylines and narrative elements that allow a multifocal engagement with different social and ecological repercussions of climate change. Additionally, pieces from the spring 2025 taumelnd trauen, verschlungen bleiben student exhibition and winning and honorable mentions from the 2025 “Tell the Untold!” writing competition take the provocation to think creatively about the past and future of our environment and world further. Thereby, the exhibition chapters create a web of diverse thoughts on and readings of the role of storytelling for the contemporary interlinked social and environmental crises from a number of perspectives.
About This Exhibition
Marine Harvest communications director Jørgen Christiansen highlights the company’s shift from conflict to collaboration with First Nations, emphasizing transparency, environmental responsibility, and ongoing dialogue to balance aquaculture operations with community and ecological concerns.
Bob Chamberlin presents Owadi, chief of the Kwicksutaineuk Ah-Kwa-Mish First Nation, as advocating for the protection of Indigenous rights and territories by opposing harmful fish farming practices and demanding meaningful inclusion of First Nations in regulatory decisions.
