technology

The project Everyday Futures explores the role museums can play in helping to make sense of Australia’s experiences during a time of rapid planetary change and global disruption.

Hornby draws attention to the work of Danish artist Olafur Eliasson, whose immersive installations aim to increase environmental awareness, arguing that Eliasson’s environments are fully orchestrated affairs that share the technologies and efforts of the twentieth and twenty-first centuries’ militarization of climate control.

Greear examines the contemporary trend toward de-industrialized and decentralized production and its implications for ecological sustainability. He suggests we can understand the potential positive ecological implications of such trends by reconceptualizing “incomplete information” in markets, which is often understood as a key way in which markets fail to solve or forestall environmental problems.

In this Special Commentary Section titled “Replies to An Ecomodernist Manifesto,” edited by Eileen Crist and Thom Van Dooren, Eileen Crist considers the Manifesto’s point as view as one of humanism and freedom.