"‘Like a Stone’: Ecology, Enargeia, and Ethical Time in Alice Oswald's Memorial"
Through readings of the works of artist/sculptor Ilana Halperin and poet Alice Oswald, David Farrier explores the idea of Anthropocene as marked by haunted time.
Through readings of the works of artist/sculptor Ilana Halperin and poet Alice Oswald, David Farrier explores the idea of Anthropocene as marked by haunted time.
In this special section on Green Wars, Bram Büscher examines the case of rhino poaching in South Africa, arguing that we are seeing the uneven emergence of new geographies of conservation focused on preempting threats (ontopower).
Stephen Muecke’s essay for the Living Lexicon for the Environmental Humanities focuses on the attachment of humans and the role this attachment has in the construction of “being.”
J. Baird Callicott replies to Thomas Greaves’ rejoinder on Callicott’s previous article, “A NeoPresocratic Manifesto.”
Lestel, Bussolini, and Chrulew present a bi-constructivist approach to the study of animal life, opposed to the realist-Cartesian paradigm in which most ethology operates.
In the special section “Imagining Anew: Challenges of Representing the Anthropocene,” Alexa Weik von Mossner analyzes Dale Pendell’s speculative novel The Great Bay.
For the special section “Living Lexicon for the Environmental Humanities,” Thom van Dooren offers a meditation on “care” as a practice of worlding, asking what it means to care for others at the edge of extinction, and arguing for the importance of placing care at the center of critical work.
For the special section “Living Lexicon for the Environmental Humanities,” Celia Lowe reflects on the meanings of “infection” and the problems these pose for the Environmental Humanities.
In his article for the special section “Living Lexicon for the Environmental Humanities,” Tom Bristow unpacks the concept of memory and the idea of the archive.
In his article for the special “Living Lexicon for the Environmental Humanities Section,” Mike Hulme goes beyond traditional, institutional definitions to view climate as an idea which mediates between the human experience of ephemeral weather and the cultural ways of living which are animated by this experience.