Nancy Langston reinterprets Rachel Carson’s Silent Spring to argue that ecological and human health are inseparable, urging renewed responsibility toward chemical safety and environmental stewardship.
The essay acquaints readers with an ecocritical approach to comics by close reading three recent “ecocomics” with an emphasis on thematic and formal features.
This essay brings previously underexplored paths of political ecology, environmental history, and even biosemiotics and plant neurophysiology in Italo Calvino’s The Baron in the Trees (1957) to light.
While reading Baron von Humboldt’s 1807 Essay on the Geography of Plants, Paula Unger writes about modern science creating boundaries between the human and the nonhuman, and how Indigenous understandings transcend them.
In this Springs article, English literature and blue humanities scholar Steve Mentz reflects on his time as a Landhaus Fellow at the Rachel Carson Center, and the bond he developed with the Steinsee.
The earthworm becomes a muse in creativity and writing as Sumana Roy’s poem takes on the perspective of the invertebrate.
Full text of the book Fire and Snow: Climate Fiction from the Inklings to Game of Thrones.
ClimateCultures was launched in 2017 and is a growing network for creative responses to the Anthropocene.
Ferran Pons Raga reviews Naturalezas en conflicto [Natures in Conflict] by José A. Cortés Vázquez.
Patrick Bresnihan reveals how John Clare’s poetry challenged the naturalization of scarcity, instead describing the different natures which unfold through ongoing, negotiated, and changing relations between people and things.
