Hornby draws attention to the work of Danish artist Olafur Eliasson, whose immersive installations aim to increase environmental awareness, arguing that Eliasson’s environments are fully orchestrated affairs that share the technologies and efforts of the twentieth and twenty-first centuries’ militarization of climate control.

Margret Grebowicz argues that James Balog’s Extreme Ice Survey (EIS), in particular the time-lapse films of glaciers receding, presents a unique example of what Guy Debord calls the ”tautological” nature of spectacle, its capacity to serve as its own evidence at the same time as it becomes a mode of relation among people.

Elizabeth Callaway analyzes scientific literature on climate change, specifically from the Intergovernmental Panel on Climate Change, to consider how scientific representations structure, articulate, and inform our experience of time.

Environmental Humanities Switzerland (EH-CH) aims to become a key regional network in the growing worldwide movement to provide novel insights about humans in nature, especially through the goal of helping resolve complex environmental problems.

Data Refuge is a community-driven, collaborative project to preserve public climate and environmental data. When we document the many ways diverse communities use data, we can also advocate for future data.