The High Coast in north-eastern Sweden has become a popular tourist site annually attracting hundreds of thousands of visitors from throughout the world. Its environment is not only considered pleasing from a recreational aspect, but also of extraordinary intrinsic value.
While their paintings and photographs sometimes helped to secure the protection of particular places, nineteenth-century artists often showed little respect for the environment when they set about securing their views.
With reference to Puritjarra, a rock shelter in the Cleland Hills in western central Australia, this environmental art project examines the relationship between knowledge systems–be they indigenous, scientific, or artistic–and place.
A first attempt at including natural assets into Italian art preservation legislation.
Fan Kuan is one of the leading landscape painters in the Northern Song Tradition, and one of the most important artists in traditional China.
