William Rueckert’s Literature and Ecology: An Experiment in Ecocriticism
The paper probably contains the first mention of the interdisciplinary concept of ecocriticism.
The paper probably contains the first mention of the interdisciplinary concept of ecocriticism.
A collection offering global perspectives on the intersections of mind and environment across a variety of discourses—from history and politics to the visual arts and architecture.
T. J. Demos, reader in modern and contemporary art at University College London, provides an overview of how relationships between contemporary art, ecology and concepts of sustainability have evolved over the last fifty years.
What can works of landscape art tell us about past ecologies? This article describes a pilot study in which a method for systematically recording the aesthetic, ecological and environmental content of landscape artworks was investigated.
The High Coast in north-eastern Sweden has become a popular tourist site annually attracting hundreds of thousands of visitors from throughout the world. Its environment is not only considered pleasing from a recreational aspect, but also of extraordinary intrinsic value.
While their paintings and photographs sometimes helped to secure the protection of particular places, nineteenth-century artists often showed little respect for the environment when they set about securing their views.
With reference to Puritjarra, a rock shelter in the Cleland Hills in western central Australia, this environmental art project examines the relationship between knowledge systems–be they indigenous, scientific, or artistic–and place.
A first attempt at including natural assets into Italian art preservation legislation.
Fan Kuan is one of the leading landscape painters in the Northern Song Tradition, and one of the most important artists in traditional China.