The fourth episode of continues the Nlaka’pamux’ story of basket making through a discussion of the craft with basket makers Judy Hanna and Peter Sam, and their hopes for the continuation of basketry traditions in their community.
The fourth episode of continues the Nlaka’pamux’ story of basket making through a discussion of the craft with basket makers Judy Hanna and Peter Sam, and their hopes for the continuation of basketry traditions in their community.
This book chapter explores how environmental historians might interact with, and have interacted with, policymaking and the broader suite of environmental governance that operates at many jurisdictional scales
This book chapter argues that the actor-network approach is particularly suited for research in environmental history with its long-standing interest in more-than-human agency.
This book chapter provides a transdisciplinary overview of the agents, agencies, and processes of change occurring in the Mozambican coast in the twentieth and twenty-first centuries, and their connection to international trends and global environmental concerns.
A conversation with Christof Mauch on the future of the environmental humanities.
This article explors the 1972 Myrtea oil spill in the Singapore Strait, its environmental impact, and subsequent policy changes.
Hsuan Hsu’s Air Conditioning explores questions about culture, ethics, ecology, and social justice raised by the history and uneven distribution of climate controlling technologies.
This review of Human Extinction and the Pandemic Imaginary, published by Christos Lynteris on the brink of the COVID-19 epidemic, problematises the tension between a dominant pandemic imaginary, perpetuated by outbreak preparedness policies and the media, and an emergent imaginary, historically and geographically.
Through exploring virology research and its dangers in post-Ebola Guinea, this article argues that the hypothesis of a bat reservoir has taken on a heuristic role that can be compared to the way that a fetish polarizes relations between the people who manipulate and fear this idea.
Ecoanxiety in Mary Shelley’s Frankenstein signals our ability to create art in reaction to environmental disaster in increasingly unstable planetary futures.