My Mother, Oak
This film tells the stories of displaced people and livelihood changes in Iran after the construction of the Karun-3 Dam which submerged 12,300 acres of valuable forest with water.
This film tells the stories of displaced people and livelihood changes in Iran after the construction of the Karun-3 Dam which submerged 12,300 acres of valuable forest with water.
The film depicts the rise, fall, and rebirth of the postindustrial city Detroit.
The film looks at how toxic substances, banned in Europe, pass through ports such as Hamburg in containers shipped from Asia, and how these toxins can be traced in the clothing and children’s toys transported.
Der gezähmte Prometheus traces large fire catastrophes and the rise of the insurance business from its beginnings in fifteenth century Europe to its boom in nineteenth century globalized metropoles across the world.
Portraits of privatization from around the world show how the daily lives of people using what were once considered public resources are affected.
This film criticizes America’s suburban sprawl and its dependence on oil as being unsustainable for the future.
Full text in Spanish of Rachel Carson Center alumnus Martín Fonck’s dissertation.
This film displays ideas and experiments in art and architecture to design and dwell in portable, flexible, environmentally-friendly off-grid and compact homes.
In addition to depicting a phase of the channelization works of the San Francisco River, this image shows Bogotá’s urban landscape, with the Eastern Mountains in the background and trees such as eucalyptus, pines and cypress along the river.
An early color photograph of the Suna River by Sergey Prokudin-Gorsky (1863–1944), who is also featured in the picture.