Periodicals

This special section edited by Franklin Ginn, Uli Beisel, and Maan Barua considers how multispecies flourishing works when the creatures are awkward, when togetherness is difficult, when vulnerability is in the making, and death is at hand.

By privileging music as a focus for applied ecology, Robin Ryan aims to deepen perspectives on the musical representation of land in an age of complex environmental challenge.

Through readings of the works of artist/sculptor Ilana Halperin and poet Alice Oswald, David Farrier explores the idea of Anthropocene as marked by haunted time.

Jean M. Langford explores different modes of interspecies communications at an urban parrot sanctuary, suggesting that humans can alter their interactions to ease parrots’ distress.

By theorizing the temporalities of political-economic transformations as embodied in key conservationist and educational institutions, Erin Fitz-Henry argues that we can deepen our understanding of “worlds-otherwise” and work toward clarifying the institutional conditions that mitigate their flourishing.

John Ryan examines biopoetry experiments that encoded poetry into DNA, asking if biopoetry and the encipherment process are conceptual and methodological experimentations, or if they reflect ecological consciousness and ethical imperative for life.

Les Beldo proposes thinking about nonhuman contributions to production, including those taking place at the microbiological level, as labor, and offers an ethnographic description of the lives of broiler chickens.

Denis Byrne explores the 1880s reclamation of the Elizabeth Bay in Sydney Harbour, encountering historical influences such as sandstone wall constructions, buried objects, and colonial narratives. He argues in this article that archaeology has a role to play in bringing reclamations and other aspects of the Anthropocene into view.

Hornby draws attention to the work of Danish artist Olafur Eliasson, whose immersive installations aim to increase environmental awareness, arguing that Eliasson’s environments are fully orchestrated affairs that share the technologies and efforts of the twentieth and twenty-first centuries’ militarization of climate control.

Looking to the work of Samuel R. Delaney, Sarah Ensor asks what it would mean to use the practice of cruising as a model for a new ecological ethic more deeply attuned to our impersonal intimacies with the human, nonhuman, and elemental strangers that constitute both our environment and ourselves.