mining

Alok Amatya studies the depiction of indigenous struggles against the grab of minerals, crude oil, and other natural resources by private and government corporations in works such as Arundhati Roy’s travel essay Walking with the Comrades (2010). He suggests that narratives of conflict over the extraction of natural resources can be studied as the corpus of “resource conflict literature,” thus generating a global comparative framework for the study of contemporary indigenous struggles.

Triangulating narratives from a prospective mining site in northern Norway, Hugo Reinert works to identify (and render graspable) a particular effect of retroactive shock—tracing its resonance through experiences of chemical exposure, colonial racism, cultural erasure, and destruction of the built environment.

This collection of studies provides valuable historical contexts for making sense of contemporary environmental challenges facing Latin America.

In this article, Sasha Litvintseva examines the history and materiality of asbestos to theorize toxic embodiment through the mutuality of the haptic sense and the breaching of boundaries of inside and outside. She develops this through an analysis of her own film project Asbestos (2016), shot at the mining town of Asbestos, Quebec.

This article examines the environmental impacts of Cantonese gold-miners in New Zealand and situates its research in both Chinese environmental history and comparative global environmental history.

Through a case study of the nickel mine Ambatovy in Madagascar, the authors explore local perceptions of the magnitude and distribution of impacts of biodiversity offset projects on local well-being.