“Portrait of an Arctic Research Station”
Flora Mary Bartlett captures the flows between lab and landscape through photographic exploration.
Flora Mary Bartlett captures the flows between lab and landscape through photographic exploration.
A reflection on the use of mixed methods in environmental history.
Historian Christian Kehrt presents a short biographical profile of geologist and polar explorer Alfred Wegener, with historic photographs. Wegener’s diaries from his three Greenland expeditions (1906–1931)—digitized, transcribed, and translated—are the focus of this Virtual Exhibition.
Commenting actual film footage from Alfred Wegener’s last Greenland expedition, literary historian Dorit Müller describes the content and context of this unique material.
This is a selection of the original diary entries of German explorer Alfred Wegener’s last Greenland expedition in 1930 and is part of the virtual exhibition “The Wegener Diaries: Scientific Expeditions into the Eternal Ice” authored by historian Christian Kehrt.
This is a selection of original diary entries of German explorer Alfred Wegener, who participated in the Danish North Greenland Expedition (1912–1913) and is part of the virtual exhibition “The Wegener Diaries - Scientific Expeditions into the Eternal Ice” authored by historian Christian Kehrt.
This is a selection of original diary entries of German explorer Alfred Wegener, who participated in the “Danmark-Expedition” led by explorer Ludvig Mylius-Erichsen (1872–1907) and is part of the virtual exhibition “The Wegener Diaries - Scientific Expeditions into the Eternal Ice” authored by historian Christian Kehrt.
In this chapter of her virtual exhibition, “Human-Nature Relations in German Literature,” Sabine Wilke examines mountains and glacial environments in German-language literary descriptions. Whereas the German Romantic poets still highlighted mountainous nature as deeply ambiguous, Goethe’s Faust tried to understand mountainous nature in its materiality through scientific studies. Modernism focuses on the more often destructive results of human-nature entanglements. For the German-language version of this exhibition, click here.
In this chapter of the German-language version of her virtual exhibition, “Mensch und Natur in der deutschen Literatur (Human-Nature Relations in German Literature),” Sabine Wilke examines mountains and glacial environments in German-language literary descriptions. Whereas the German Romantic poets still highlighted mountainous nature as deeply ambiguous, Goethe’s Faust tried to understand mountainous nature in its materiality through scientific studies. Modernism focuses on the more often destructive results of human-nature entanglements. For the English-language version of this exhibition, click here.
Margret Grebowicz argues that James Balog’s Extreme Ice Survey (EIS), in particular the time-lapse films of glaciers receding, presents a unique example of what Guy Debord calls the ”tautological” nature of spectacle, its capacity to serve as its own evidence at the same time as it becomes a mode of relation among people.