An Inconvenient Truth is a passionate and inspirational look at former Vice President Al Gore’s fervent crusade to halt global warming’s deadly progress by exposing the myths and misconceptions that surround it.
The Moo Man was filmed over four years on the marshes of Sussex, and tells the story of a maverick organic dairy farmer and his small herd of unruly cows.
In Trash Dance, choreographer Allison Orr tries to persuade employees of the Austin Department of Solid Waste to participate in a public dance performance.
Based on the Pulitzer Prize-winning novel by Cormac McCarthy, The Road portrays a father and son struggling to survive in a post-apocalytic world turned savage.
Powerless is a film about India’s energy poverty and the people’s desperate measures to create functioning infrastructure. Electricity “thieves” divert power to homes and small businesses and come head-to-head with electricity supply companies.
In 1987 the UN’s World Commission for Environment and Development publishes the report “Our Common Future,” also known as the “Brundtland Report.”
The seminal “World Conservation Strategy” of 1980 argues for the protection of essential ecological processes and habitats, the preservation of genetic diversity, and the sustainable utilization of species and ecosystems.
This volume brings together a range of studies of cycling and cyclists, examining some of the diversity of practices and their representation.
Ethics of Nature is an inquiry into the value of nature. Is nature’s value only instrumental value for human beings or does nature also have intrinsic value?
Postcolonial Ecologies: Literatures of the Environment is the first edited collection to bring ecocritical studies into a necessary dialogue with postcolonial studies.
