De Engel van Doel [An Angel in Doel]
This film focuses on an elderly woman determined to remain in her beloved village, even as demolition begins to make room for urban expansion.
This film focuses on an elderly woman determined to remain in her beloved village, even as demolition begins to make room for urban expansion.
This film examines life in the Chittagong ship demolition yard, where workers risk their lives for two dollars a day to provide for their families.
This film follows the responses of Detroit residents to the city’s industrial decline.
This film follows a seventeen-year-old Chinese girl who leaves home in order to work in a Chinese jeans factory.
This film follows an Indian farmer whose situation becomes a microcosm of the conflict between Monsanto and rural people living in poverty in India.
This film examines the roles and impact of Berlin’s Spree River, accompanied by a specially composed symphony from Karsten Gundermann.
This film follows a woman who returns to modern, neoliberal Nicaragua to find the Sandinista woman soldier she filmed during the armed rebellion over two decades earlier.
This issue of the ALARM is produced by women only. It is dedicated to the struggle to smash down patriarchy and save the planet, expresses solidarity with activists struggling against capitalist-patriarchal devastation as womyn, and “affirms our existence and our power on the front lines of the resistance.” Aimee Mostwill discusses pregnancy, abortion, and overpopulation; Judi Bari explains “why I am not a misanthrope.”
This film follows Father Marco, a priest who has earned a price on his head because of his opposition to Peru’s powerful mining companies.
This film examines a mine that acts as a microcosm for globalization; illegal and legal workers, local and foreign businessmen, and politicians all navigate the new alliances that modern Africa demands.