Symbioses is an interdisciplinary research network that connects life scientists, social scientists, and humanities scholars working at the nexus of biology and social life.
The Aldo Leopold Archives in the University of Wisconsin-Madison Libraries Digital Collections serve scholars, policy leaders, and the general public who look to Aldo Leopold for insight and inspiration on how to deal with complex conservation challenges facing society in the twenty-first century.
In the 1790s, Spanish naturalists traveled the vast realms of the Spanish Americas to seek out useful and commodifiable resources.
In 1783, strong earthquakes shook Calabria. These events, in combination with a dry sulfuric fog, led contemporaries to believe they lived in the time of a “subsurface revolution.”
This article introduces a case for engaging with religious worldviews which can support the cause for environmental justice.
Bradley M. Jones explores the cultivation of life in ruins, through a multi-species ecological ethic revealed in the life and labor of a permaculture farmer in the Appalachian foothills.
Through an ethnographic account about the use of an electromagnetic water system in the Amish community, Nicole Welk-Joerger explores the conceptual meeting ground between sacred and secular worldviews in efforts that address the Anthropocene.
In this introduction to a special section on toxic embodiment, Olga Cielemęcka and Cecilia Åsberg examine variously situated bodies, land- and waterscapes, and their naturalcultural interactions with toxicity.
Triangulating narratives from a prospective mining site in northern Norway, Hugo Reinert works to identify (and render graspable) a particular effect of retroactive shock—tracing its resonance through experiences of chemical exposure, colonial racism, cultural erasure, and destruction of the built environment.
In this article, Sasha Litvintseva examines the history and materiality of asbestos to theorize toxic embodiment through the mutuality of the haptic sense and the breaching of boundaries of inside and outside. She develops this through an analysis of her own film project Asbestos (2016), shot at the mining town of Asbestos, Quebec.
