The Moo Man
The Moo Man was filmed over four years on the marshes of Sussex, and tells the story of a maverick organic dairy farmer and his small herd of unruly cows.
The Moo Man was filmed over four years on the marshes of Sussex, and tells the story of a maverick organic dairy farmer and his small herd of unruly cows.
In Trash Dance, choreographer Allison Orr tries to persuade employees of the Austin Department of Solid Waste to participate in a public dance performance.
Powerless is a film about India’s energy poverty and the people’s desperate measures to create functioning infrastructure. Electricity “thieves” divert power to homes and small businesses and come head-to-head with electricity supply companies.
Postcolonial Ecologies: Literatures of the Environment is the first edited collection to bring ecocritical studies into a necessary dialogue with postcolonial studies.
In case studies ranging from the Early Modern secondhand trade to utopian visions of human-powered vehicles, the contributions gathered here explore the historical fortunes of bicycling and waste recycling—tracing their development over time and providing valuable context for the policy successes and failures of today.
This article examines the energy transition in the iron industry and studies the consequence of this switch to coal-fueling technology upon forests.
National parks are one of the most important and successful institutions in global environmentalism. Shifting the focus from the usual emphasis on national parks in the United States, Civilizing Nature adopts an historical and transnational perspective on the global geography of protected areas and its changes over time.
Powerless Science? looks at complex historical, social, and political dynamics, made up of public controversies, environmental and health crises, economic interests, and political responses, and demonstrates how and to what extent scientific knowledge about toxicants has been caught between scientific, economic, and political imperatives.
Managing the Unknown offers essays that show that deficient knowledge is a far more pervasive challenge in resource history than conventional readings suggest. Furthermore, environmental ignorance does not inevitably shrink with the march of scientific progress. This volume combines insights from different continents as well as the seas in between and thus sketches outlines of an emerging global resource history.
The history of the Swiss National Park is told for the first time in Creating Wilderness. The deliberate reinterpretation of the American idea of the national park, as implemented in Yellowstone, was innovative and radical, but its consequences were not limited to Switzerland. The Swiss park became the prime example of a “scientific national park,” thereby influencing the course of national parks worldwide.