Mobility | Welcome to the Anthropocene
This is a chapter of the virtual exhibition “Welcome to the Anthropocene: The Earth in Our Hands”—written and curated by historian Nina Möllers.
This is a chapter of the virtual exhibition “Welcome to the Anthropocene: The Earth in Our Hands”—written and curated by historian Nina Möllers.
This is a chapter of the virtual exhibition “Welcome to the Anthropocene: The Earth in Our Hands”—written and curated by historian Nina Möllers.
Written by cultural studies researcher Heike Hartmann, this chapter of the virtual exhibition “Ludwig Leichhardt: A German Explorer’s Letters Home from Australia” presents Dr. Leichhardt’s collecting of botanical specimens.
In this chapter of the virtual exhibition “Ludwig Leichhardt: A German Explorer’s Letters Home from Australia,” cultural studies researcher Heike Hartmann writes about the influence of indigenous knowledge on Dr. Leichhardt’s environmental observations.
In this chapter of the virtual exhibition “Ludwig Leichhardt: A German Explorer’s Letters Home from Australia,” cultural studies researcher Heike Hartmann presents the deeds, fate, and legacy of Dr. Leichhardt’s companion John Gilbert.
In this chapter of the virtual exhibition “Ludwig Leichhardt: A German Explorer’s Letters Home from Australia,” cultural studies researcher Heike Hartmann writes about the legacy of Dr. Leichhardt and his expeditions in Australia.
This exhibition tells the story of Mabel “MB” Williams, an extraordinary, ordinary woman who became devoted to national parks and engendered that devotion in others. Historian Alan MacEachern documents her role in shaping the philosophy of Canada’s Dominion Parks Branch (the precursor to Parks Canada) in the early- to mid-twentieth century. Digitized photographs and letters from Williams’s life, her guidebooks and other publications, and audio interviews with Williams herself reveal her influence on, and love for, Canada’s national parks.
In this chapter from the virtual exhibition “Global Environments: A 360º Visual Journey,” Sarah Elizabeth Yoho’s 360° video captures the process of constructing a dry stone wall in Italy’s Cinque Terre. In cooperation with community organization Tu Quoque Vernazza, it was filmed over nine days and is shown in time-lapse. The camera captures the grapevine’s point of view of Cinque Terre life.
In this exhibition, ENHANCE ITN doctoral researchers showcase short virtual reality video installations that emerged out of their own empirical and ethnographic fieldwork. The videos work by tracking, rendering, and displaying full-field visual, sonic, and tactile data in a context in which the viewer has full control and is empowered to decide what to look at, listen to, and feel—or which story to experience.
This chapter of the “Wilderness Babel” exhibition, written by MSc student Livnat Goldberg, highlights different words that are used in modern Hebrew to describe “wilderness.”