

In this essay, inaugural issue editors Steven Hartman and Serpil Oppermann introduce the new open-access journal Ecocene.
This study is based on the empirical investigation of the climate change adaptation measures adopted by the farmers in the Chambal basin.
Research on determinants of collective action in the commons generally focuses on interest-group heterogeneity, implicitly assuming that groups perceive the same problems but have different priorities. This paper changes the focus to the role played by perceptions themselves.
Whereas scientific evidence points towards substantial and urgent reduction in greenhouses gas (GHG) emissions, economic analysis of climate change seems to be out of sync by indicating a more gradual approach.
The private, collective and public nature of soil quality in a watershed provides three different institutional alternatives for watershed management: individual, collective and government action. This study reviews the success and failure of these alternatives in different parts of the world.
The authors examine how public participation is structured in the regime of rules over access to land, natural, and financial resources of a Wildlife Management Area (WMA) in Tanzania.
Anselmo Matusse engages in a discourse analysis of conservation legislation in Mozambique to show how indigenous knowledge has been systematically suppressed since the colonial period by ideologies of modernity.
The authors evaluate the attitudes and perceptions of local communities living in proximity to protected areas. To demonstrate the positive effects of protected areas providing employment or services to neighboring communities, they study the provision of a mobile health clinic in Kibale National Park in Uganda.
The paper analyzes pangolin trafficking among South and Southeast Asian countries, shedding light on the commodity chain linking the hunters and consumers of pangolin across South, Southeast and East Asia.
Libby Robin discusses animals in museums, and how taxidermy has changed from art in the service of science to the backbone of art itself, both in museums and beyond.