Periodicals

“Thank God for the Coal Rollers”

Historian Timothy LeCain is interested in the bridge between humans and materiality. Last year, while driving his SUV home through the mountains of Montana, a large truck pulled in front of him and released a cloud of dense, noxious smoke. Like many cyclists, hybrid car drivers, and “No Kings” protestors, LeCain had been “coal rolled.” His tongue-in-cheek essay, “Thank God for the Coal Rollers,” explores the practice’s culture, intended victims, and even the unintended good it might enact.

“One Woman’s Waste Is Another Woman’s Treasure: A Conversation with Kim Curtis”

Sometimes the link between environmental issues and creative action is a matter of personal expression. In “One Woman’s Waste Is Another Woman’s Treasure,” Regina M. Bichler, a waste and sustainability researcher, interviews the artist Kim Curtis on using environmental struggles and successes as artistic inspiration. Their conversation spans Curtis’s multimedia artworks, political strategies for minimizing environmental harms, and the roles that individuals must play in crafting ecological futures.

“Mapped Futures, Vanishing Places: On Inheritance at the Water’s Edge”

In “Mapped Futures, Vanishing Places,” literary scholar Kumiko Kiuchi portrays the simple act of walking as an opportunity to inherit shared memory. Her writing takes off from Tokyo’s artificial waterfront into a creative space stretching from past generations into imagined futures, reminding us to remain “attentive to what cannot be fully possessed or understood.”