Micheal Richardson investigates the impact of envisioning climate catastrophe in three works, namely George Miller’s film Mad Max: Fury Road (2015), Marina Zurkow’s animation Slurb (2009), and Briohny Doyle’s novel The Island Will Sink (2016).
Through a collection of 445 photographs taken from precisely the same places at intervals of months, years and decades,Die Zeit des Waldes [The forest over time] offers a stop-action look at the diversity of transformations within Germany’s forests.
Teena Gabrielson examines the visual politics at work in website photographs depicting environmental justice issues in the United States. She argues for a more inclusive socio-ecological politics which requires visual strategies that resist racialized ways of seeing and make visible the injustice of disproportionate environmental impacts on low-income communities and people of color.
Through a combination of historical research and environmental fieldwork focusing on photographic imagery taken during World War I, Noemi Quagliati documents the environmental recovery of the former Western Front.
A book on the history of repeat photography of glaciers.
A reflection on the use of images in environmental history.
