Goodbody examines the literary work Pandaemonium and its role in a research project to promote debate on climate change.
Coral scientists are dealing with an existential crisis and are divided between hope and despair in their approaches to coral conservation.
Practicing Relativism in the Anthropocene addresses a set of contemporary issues involving knowledge and science from a constructivist-pragmatist perspective often labeled “relativism.”
Looking at Leanne Allison and Jeremy Mendes’s interactive documentary Bear 71 (2012), Katey Castellano shows how the environmental humanities can be employed to rearticulate scientific data as innovative multispecies stories.
The authors detail their experience of Puchuncavi, the largest, oldest, and most polluting industrial area in Chile. They approach it from a multidisciplinary viewpoint as an experience of the Anthropocene and advocate for an enhanced pedagogy of care born of our inherited pasts and of engagement, interest, and becoming as response-ability.
Considering Caroline Wendling’s living artwork White Wood (2014) in northeast Scotland, the author examines the relationship between deep time, ecology, and enchantment.
Jonathan Woolley borrows the folkloristic, East Anglia figure of Black Shuck, a devilish hound, and connects it to a narrative of the Anthropocene based on the notions of inescapable mortality, deep time, and responsibility.
This essay explores the possibility of “slow hope” for positive environmental change.
The Neganthropocene is a collection of essays and lectures focusing on the Anthropocene and the vast semantic horizon it encompasses, from philosophy to politics and the arts, through a renewed thought of the concepts of entropy and negentropy.
Short profiles of university and course syllabi, and collaborative syllabi projects on Environment and Society.
