Maputo Dancing Dump
This film tells the story of a young man whose hip-hop dance emerged from the context of Maputo’s biggest garbage dump.
This film tells the story of a young man whose hip-hop dance emerged from the context of Maputo’s biggest garbage dump.
This film exposes the dangerous environmental practices common in the meat and poultry production industry.
This film follows the efforts of the city of San Francisco to reach zero waste.
This film examines the limitations and contradictions of finding safe places for nuclear waste storage.
This film follows an entrepreneurial father of 27 children as he runs a recycling business in Sao Paulo to sustain his huge family.
In Trash Dance, choreographer Allison Orr tries to persuade employees of the Austin Department of Solid Waste to participate in a public dance performance.
Agbogbloshie (Ghana) is an unnerving and fascinating example of human ingenuity, but at the same time an environmental and social tragedy.
Waste is never completely or permanently “out of sight.” Once discarded, it undergoes transformations, often reappearing elsewhere in new forms. In this volume of RCC Perspectives, scholars from different disciplines—from history and art history, urban geography, environmental studies, and anthropology—investigate the traces waste leaves behind in the course of its travels.
As a space where terrestrial jurisdiction did not apply, the ocean has often served as a repository for unwanted things, whether people or objects. This article traces the journeys of several ships and their cargos of toxic waste in the 1970s and 1980s.
Urban mining—reclaiming valuable metals from discarded electronic devices—has become an important economic activity in the informal sector in places such as Agbogbloshie, a slum in Accra, Ghana. This article examines the material flows linking Ghana with the rest of the world, the politics of waste recycling, and the hazards faced by those processing e-waste.