Milestones of the Anthropocene | Welcome to the Anthropocene
This is a chapter of the virtual exhibition “Welcome to the Anthropocene: The Earth in Our Hands”—written and curated by historian Nina Möllers.
This is a chapter of the virtual exhibition “Welcome to the Anthropocene: The Earth in Our Hands”—written and curated by historian Nina Möllers.
In this book, scholars and scientists from twelve disciplines write about the Anthropocene.
In this episode from the New Books Network podcast, Anna L. Tsing is interviewed on her new project, Feral Atlas: The More-than-Human Anthropocene.
Considering Caroline Wendling’s living artwork White Wood (2014) in northeast Scotland, the author examines the relationship between deep time, ecology, and enchantment.
In the special section “Imagining Anew: Challenges of Representing the Anthropocene,” Tobias Boes examines the hermeneutic and poetic operations by which we as human beings turn our very planet into a signifier for our collective existence as a species, a process he refers to as “planetary mediation.”
ClimateCultures was launched in 2017 and is a growing network for creative responses to the Anthropocene.
Serenella Iovino uses the garden as a lens to analyze the impacts of old and new forms of aestheticizing nature on the geology of our planet.
In the special section “Imagining Anew: Challenges of Representing the Anthropocene,” Wolfgang Struck’s essay examines the renewed attraction to the medium of the atlas in light of representational challenges raised by the model of the Anthropocene.
Stefan Skrimshire considers the ethical question of how to communicate with future human societies in terms of long-term disposal of radioactive fuel. He proposes that the confessional form (as propagated by Saint Augustine and critiqued by Derrida) may become increasingly pertinent to activists, artists, and faith communities making sense of humanity’s ethical commitments in deep time.
In the special section “Imagining Anew: Challenges of Representing the Anthropocene,” Thomas Lekan offers a postcolonial critique of recent environmentalist literature and exhibitions that frame the Anthropocene using the NASA Apollo mission’s Earthrise (1968) and Blue Marble (1972) photographs from space.