Ecoartspace
Ecoartspace is a nonprofit platform providing opportunities for artists who address the human/nature relationship in the visual arts.
Ecoartspace is a nonprofit platform providing opportunities for artists who address the human/nature relationship in the visual arts.
Hornby draws attention to the work of Danish artist Olafur Eliasson, whose immersive installations aim to increase environmental awareness, arguing that Eliasson’s environments are fully orchestrated affairs that share the technologies and efforts of the twentieth and twenty-first centuries’ militarization of climate control.
Through readings of the works of artist/sculptor Ilana Halperin and poet Alice Oswald, David Farrier explores the idea of Anthropocene as marked by haunted time.
Andrew Mark describes Bob Wiseman’s allegorical piece, Uranium, arguing that it accesses emotion to alter the consciousness of percipients.
In the special section “Imagining Anew: Challenges of Representing the Anthropocene,” Tobias Boes examines the hermeneutic and poetic operations by which we as human beings turn our very planet into a signifier for our collective existence as a species, a process he refers to as “planetary mediation.”
In the special section “Imagining Anew: Challenges of Representing the Anthropocene,” Thomas Lekan offers a postcolonial critique of recent environmentalist literature and exhibitions that frame the Anthropocene using the NASA Apollo mission’s Earthrise (1968) and Blue Marble (1972) photographs from space.
In the special section “Imagining Anew: Challenges of Representing the Anthropocene,” Wolfgang Struck’s essay examines the renewed attraction to the medium of the atlas in light of representational challenges raised by the model of the Anthropocene.
This area attracted an exodus of youthful creative urban dwellers resettling the land with aims of self-sufficiency and communal living.
In this chapter of her virtual exhibition, “Human-Nature Relations in German Literature,” Sabine Wilke examines mountains and glacial environments in German-language literary descriptions. Whereas the German Romantic poets still highlighted mountainous nature as deeply ambiguous, Goethe’s Faust tried to understand mountainous nature in its materiality through scientific studies. Modernism focuses on the more often destructive results of human-nature entanglements. For the German-language version of this exhibition, click here.
In this commentary, Stefan Helmreich considers how Hokusai’s famous woodblock print, The Great Wave, has recently been leveraged into commentaries upon the Anthropocene, and how the image has been adapted to speak to the contemporary human-generated global oceanic crisis.