From the early exploits of Teddy Roosevelt in Africa to blockbuster films such as March of the Penguins, Gregg Mitman reveals how changing values, scientific developments, and new technologies have come to shape American encounters with wildlife on and off the big screen.

Jamie Lorimer uses the concept of awkwardness to discuss encounters between humans and the Auks, a family of maritime birds found on remote coastlines in cooler, Northern waters.

For the special section “Living Lexicon for the Environmental Humanities,” Kate Wright points to a photograph of two young men laughing as their hair stands up, only to be struck by lightning moments later, as a reminder of how tragic and dangerous the cognitive illusion of human exceptionalism can be. She sees Environmental Humanities as an attempt to address the systemic pathology of a species disconnected from the conditions of its world.

Through a case study of the “invasive alien species” (IAS) narrative in South Africa, Susanna Lidström, Simon West, Tania Katzschner, M. Isabel Pérez-Ramos, and Hedley Twidle suggest that IAS oversimplifies the webs of ecological, biological, economic, and cultural relations to a simple “good” versus “bad” battle between easily discernible “natural” and “nonnatural” identities.