The film examines the social and ecological consequences of the Turkey’s South-East-Anatolia-Project (GAP), designed to enable energy production and irrigation on a huge scale.
The Moo Man was filmed over four years on the marshes of Sussex, and tells the story of a maverick organic dairy farmer and his small herd of unruly cows.
In Trash Dance, choreographer Allison Orr tries to persuade employees of the Austin Department of Solid Waste to participate in a public dance performance.
Powerless is a film about India’s energy poverty and the people’s desperate measures to create functioning infrastructure. Electricity “thieves” divert power to homes and small businesses and come head-to-head with electricity supply companies.
Energy-from-waste plants in places like Britain were designed help reduce waste and carbon emissions, but they have had unintended side-effects.
This article examines the energy transition in the iron industry and studies the consequence of this switch to coal-fueling technology upon forests.
This article sketches the contours of the emerging paradigm: a complementary system of traditional and modern methods of water provision, a participatory water resources management and a ‘post-mechanistic’ ethico-religious framework.
This paper demonstrates how a Political Economy of Wealth—an analytical framework inspired from Ricardo’s and Marx’s theories of value—strengthens the analytical force of Socio-Ecological Economics in the context of the controversy over the value of nature.
This article reflects on Aristotle’s conceptions of friendship and goodwill and if they can serve as a model for a virtuous relationship with nature.
In this paper the authors make an argument for limiting veterinary expenditure on companion animals. The argument combines two principles: The obligation to give and the self-consciousness requirement.
