This article examines how activists on both sides of the debate about the construction of dams along the Colorado River used images of Native Americans to argue their position.
An advertising campaign by Vickers and Benson helped the Canadian environmental organization Pollution Probe brand itself during the early years of its existence.
The photo exhibition “Our Only World,” opened at the Smithsonian Institution in 1974, is conceivably the first example of a photo exhibition in which a national government consciously employed photographic eco-images to emphasize the complexity of environmentalism and to sanction specific behavioral patterns.
This paper focuses on the 1987 to 1988 dumping of hazardous industrial waste in Koko, Nigeria. The paper critically analyzes the number, content, and contexts of cartoons that covered the toxic-waste dumping.
This essay will focus on the use of eco-images in unconventional visual environmental campaigns.
The Anthropocene emphasizes that all of us are collectively responsible for the future of the world. Society will have to legitimize science and technology, focusing in particular on education as one of the most powerful tools for transformation, in order to make the Anthropocene long-lasting, equitable, and worth-living.
This article argues that Planet Earth has entered a period of “neurogeology”: the mental states and resulting actions of individual humans, groups of humans, and the collective mental states of all humans together are creating a new mode of planetary development.
This article argues that a paradigm change in political anthropology might be reasonable and realistic as a way of establishing dams against human self-destruction in the Anthropocene.
Museum exhibitions offer a unique space for creating a three-dimensional experience of the systemic interconnectedness that characterizes the Anthropocene, as well as encouraging reflection and participatory discussion. The Deutsches Museum has decided to tackle the challenges of this new age head-on and become the first museum to create a major exhibition on the Anthropocene. While curating an exhibition, we also tackle the question of how to “curate” the planet in its literal sense of taking care of it and curing it.
The essay suggests that what is absent from the scientific discourse on the Anthropocene is a postcolonial perspective that points out the fact that we are not talking about generalizable social, economic, and cultural structures and belief systems, but that instead we are describing very specific political, economic, and discursive regimes of power.
