“Mother Drone, Mother Nature: The Griffon Vulture and Israel’s Military”
This essay examines how military, technology, and nature converge in the Israeli griffon vulture project and what politics stand behind it.
This essay examines how military, technology, and nature converge in the Israeli griffon vulture project and what politics stand behind it.
This essay brings previously underexplored paths of political ecology, environmental history, and even biosemiotics and plant neurophysiology in Italo Calvino’s The Baron in the Trees (1957) to light.
Joseph Adeniran Adedeji shows how the cultural meaning of Yoruba heritage sites signify hope for a harmonious coexistence between society and the nonhuman world.
This artistic contribution explores sensory engagement with contamination caused by oil-waste pits in the Ecuadorian Amazon.
The entwined history of legends, literature, limnology, and a Cold War nuclear power plant at Lake Stechlin in northeastern Germany.
Alison Pouliot writes about the pejorative language that has been used to describe fungi and how it has shaped our understanding of them.
Martin Saxer introduces his project “Foraging at the Edge of Capitalism” detailing how his team works and what foraging means to them.
In a carbon-sequestering wetland on Maine’s Mid-Coast, a quirky human-beaver relationship unfolds each year.
Joana Freitas reveals the reasons, troubles, and charm of writing about sand and how poetry can be more effective than prose to describe dunes.
A monograph on desert dystopias and the environmental origins of apartheid.