Making Carbon and Climate Change Visible | From Hand Lenses to Telescopes
Third chapter of Ricardo Rozzi et al.’s virtual exhibition, From Hand Lenses to Telescopes: Exploring the Microcosm and Macrocosm in Chile’s Biocultural Laboratories.
Third chapter of Ricardo Rozzi et al.’s virtual exhibition, From Hand Lenses to Telescopes: Exploring the Microcosm and Macrocosm in Chile’s Biocultural Laboratories.
Tercer capítulo de la exposición virtual de Ricardo Rozzi et al., De lupas a telescopios: Explorando el microcosmos y el macrocosmos en los laboratorios bioculturales de Chile.
In this chapter from the virtual exhibition “Global Environments: A 360º Visual Journey,” Jeroen Oomen and Adam Sébire delve into the world of Carbon Capture and Storage (CCS) technologies through a video triptych in Hellisheiði in Iceland. The three screens, shown here in one video, capture experiments at Hellishei∂i, aspects of the sequestered CO2, and an imagined future.
This German-language version of Sabine Wilke’s virtual exhibition features short excerpts from German-language literary texts that address human-nature entanglements. The aim is to show how literature can contribute to understanding and problematizing the relation between humans and nonhuman nature. What aspects of human-nature relations are addressed, at what point in literary history, and how are they shaped poetically? For the English-language version of this exhibition, click here.
In this chapter of the German-language version of her virtual exhibition, “Mensch und Natur in der deutschen Literatur (Human-Nature Relations in German Literature),” Sabine Wilke examines mountains and glacial environments in German-language literary descriptions. Whereas the German Romantic poets still highlighted mountainous nature as deeply ambiguous, Goethe’s Faust tried to understand mountainous nature in its materiality through scientific studies. Modernism focuses on the more often destructive results of human-nature entanglements. For the English-language version of this exhibition, click here.
In this chapter of the German-language version of her virtual exhibition, “Mensch und Natur in der deutschen Literatur (Human-Nature Relations in German Literature),” Sabine Wilke shows how topics of pollution and waste in German-language writing reach back to the nineteenth century, when the production of industrial waste—and pollution of the air, ground, and water—first began to occur on a massive scale. For the English-language version of this exhibition, click here.
This virtual exhibition features, in English translation, short excerpts from German-language literary texts that address human-nature entanglements. The aim is to show how literature can contribute to understanding and problematizing the relation between humans and nonhuman nature. What aspects of human-nature relations are addressed, at what point in literary history, and how are they shaped poetically? For the German-language version of this exhibition, click here.
In this chapter of her virtual exhibition, “Human-Nature Relations in German Literature,” Sabine Wilke examines mountains and glacial environments in German-language literary descriptions. Whereas the German Romantic poets still highlighted mountainous nature as deeply ambiguous, Goethe’s Faust tried to understand mountainous nature in its materiality through scientific studies. Modernism focuses on the more often destructive results of human-nature entanglements. For the German-language version of this exhibition, click here.
In this chapter of her virtual exhibition “Human-Nature Relations in German Literature,” Sabine Wilke shows how topics of pollution and waste in German-language writing reach back to the nineteenth century, when the production of industrial waste—and pollution of the air, ground, and water—first began to occur on a massive scale. For the German-language version of this exhibition, click here.
This is a chapter of the virtual exhibition “Welcome to the Anthropocene: The Earth in Our Hands”—written and curated by historian Nina Möllers.