Renewable Energy and Class Struggles: Slurry and Stratification in Germany’s Energy Transition
Jennifer Carlson examines the material and social dimensions of contemporary energy transitions in the village of Dobbe in the East Frisian Peninsula.
Jennifer Carlson examines the material and social dimensions of contemporary energy transitions in the village of Dobbe in the East Frisian Peninsula.
Adam Amir follows decolonizing and feminist methodologies to develop a form of communal participatory video production for portraying the last 300 remaining Cross River gorillas and their role in indigenous values and conservation efforts.
This paper uses data from a long-term ethnography of both the local people and the conservation agenda in the Pantanal wetland, Brazil, to discuss how environmentalists used the National Policy for the Sustainable Development of Traditional Peoples and Communities (PNDSPCT) to justify the displacement of local people.
The authors illuminate the power relations between state actors and the local people in accessing fuelwood in Zimbabwe, and how discourses of scarcity enhance these power dynamics.
The authors highlight how the Indian state increasingly views adivasis (=indigenous people) as a possible ethno-environmental fix for conservation, and how non-adivasis project their environmental subjectivities to claim that they, too, belong.
This paper uses a comparative case study approach to explore the individual and societal desire to maintain current lion populations alongside communities in Zimbabwe’s Hwange National Park, Tanzania’s Ruaha National Park, and Kenya’s southern Maasailand.
With a focus on global cancer epidemics, Nina Lykke discusses biopolitics in the Anthropocene against the background of a notion of dual governmentality, implying that efforts to make populations live and tendencies to let them die are intertwined.
In this article, Sasha Litvintseva examines the history and materiality of asbestos to theorize toxic embodiment through the mutuality of the haptic sense and the breaching of boundaries of inside and outside. She develops this through an analysis of her own film project Asbestos (2016), shot at the mining town of Asbestos, Quebec.
In a special section entitled “Living Lexicon for the Environmental Humanities,” Sara J. Grossman reflects on the definition of disability and disabled communities within environmental humanities.
Mount Lebanon’s distinctive environmental history accounts for its susceptibility to famine.