The Good, the Bad, and the Ague: Defining Healthful Airs in Early Modern England
Combating malaria through travel, diet, natural remedies, and architecture in early modern England.
Combating malaria through travel, diet, natural remedies, and architecture in early modern England.
Hornby draws attention to the work of Danish artist Olafur Eliasson, whose immersive installations aim to increase environmental awareness, arguing that Eliasson’s environments are fully orchestrated affairs that share the technologies and efforts of the twentieth and twenty-first centuries’ militarization of climate control.
In this commentary, Stefan Helmreich considers how Hokusai’s famous woodblock print, The Great Wave, has recently been leveraged into commentaries upon the Anthropocene, and how the image has been adapted to speak to the contemporary human-generated global oceanic crisis.
Libby Robin compares two major museum exhibitions on climate change that rely heavily on the IPCC models: Uppdrag Klimat (Mission: Climate Earth), at the Royal Natural History Museum in Stockholm (Naturhistoriska Riksmuseet), Sweden; and EcoLogic, at the Powerhouse Museum, Sydney.
This volume explores the question of whether science should be centered in climate-change communication.
Gebhardt Fearns explores the potential of the immersive arts for communicating climate change.
Tabak explores the potential of novels for communicating about climate change.
Through speculative, poetic, and provocative texts, thirteen writers and artists have come together to reflect on human relationships with other species and the planet.
In this chapter of the German-language version of her virtual exhibition, “Mensch und Natur in der deutschen Literatur (Human-Nature Relations in German Literature),” Sabine Wilke examines mountains and glacial environments in German-language literary descriptions. Whereas the German Romantic poets still highlighted mountainous nature as deeply ambiguous, Goethe’s Faust tried to understand mountainous nature in its materiality through scientific studies. Modernism focuses on the more often destructive results of human-nature entanglements. For the English-language version of this exhibition, click here.
In this chapter of her virtual exhibition, “Human-Nature Relations in German Literature,” Sabine Wilke examines mountains and glacial environments in German-language literary descriptions. Whereas the German Romantic poets still highlighted mountainous nature as deeply ambiguous, Goethe’s Faust tried to understand mountainous nature in its materiality through scientific studies. Modernism focuses on the more often destructive results of human-nature entanglements. For the German-language version of this exhibition, click here.