India

Crystal A. Crown and Kalli F. Doubleday explore media representation of Human-Leopard Interactions (HLI) in India, focusing on detecting agenda-setting and framing in articles, and whether these differ with the level of association with HLI. They conclude that the largely negative depiction, and differences in representation between geographic locations, could hinder mitigation strategies and policy by presenting stakeholders with incomplete information.

Two former photojournalists bring a large format camera to Southeast Asia to portray Asian elephants living in captivity and to record their biographies.

Der gezähmte Prometheus traces large fire catastrophes and the rise of the insurance business from its beginnings in fifteenth century Europe to its boom in nineteenth century globalized metropoles across the world.

This film follows a diverse group of women from around the world as they attend the Barefoot College in India. The college teaches them solar engineering skills to allow them to contribute to their communities and improve their daily lives, but societal and familial pressure proves challenging.

Powerless is a film about India’s energy poverty and the people’s desperate measures to create functioning infrastructure. Electricity “thieves” divert power to homes and small businesses and come head-to-head with electricity supply companies.