By reporting on their own and others’ experiences composting with dung earthworms, Sebastian Abrahamsson and Filippo Bertoni argue for a shift in the notion of “conviviality.”

Shannon Cram explores the slippery subjectivities of nuclear waste and nature at Washington State’s Hanford Nuclear Reservation, examining how this space is framed as both pristine habitat and waste frontier. She examines Hanford’s biological vector control program through the fruit fly and discusses how vector control uses instances of nuclear trespass to articulate the boundary between contaminated and uncontaminated. She concludes that nature is being recruited to do what the U.S. Department of Energy cannot: solve Hanford’s nuclear waste problem.

ENHANCE is a four-year innovative training network (ITN) funded by Marie Skłodowska Curie that is dedicated to further establishing the Environmental Humanities as a field of cutting-edge scholarship in Europe and further afield.

In this commentary, Stefan Helmreich considers how Hokusai’s famous woodblock print, The Great Wave, has recently been leveraged into commentaries upon the Anthropocene, and how the image has been adapted to speak to the contemporary human-generated global oceanic crisis.

Discard Studies is a website designed as an online hub for scholars, activists, environmentalists, students, artists, planners, and others whose work touches on themes relevant to the study of waste and wasting.

In this issue of Mendocino Environmental Center Newsletter, Joe Volk discusses the U.S. bombing attacks against Iraq; Bob Whitney tells the story of wilderness and over-dependence on oil and gas in Alaska; and David Giesen urges readers to recycle.

In this issue of Mendocino Environmental Center Newsletter, Gary Ball discusses the possibility of World War III and introduces the Wise Use Movement, while Claude Steiner writes about Mendocino’s new landfill.

Marco Armiero, Robert S. Emmett, and Gregg Mitman have assembled a cabinet of curiosities for the Anthropocene, bringing together a mix of lively essays, creatively chosen objects, and stunning photographs by acclaimed photographer Tim Flach. Future Remains gathers fifteen objects which resemble more the tarots of a fortuneteller than the archaeological finds of an expedition—they speak of planetary futures.