"Thomas Pringle's Plantation"
Thomas Pringle (1789–1834) was perhaps the most famous of the British settlers who landed at the Cape in 1820…
Thomas Pringle (1789–1834) was perhaps the most famous of the British settlers who landed at the Cape in 1820…
Stapledon’s suspicions of inductive science and reductionist economics, his concern with holism, ‘spiritual values’ and ‘the nature of things’ and his emphasis upon breadth of vision and the cultivation of the imagination was in stark contrast to many scientists of the day.
Reviews of histories of: the forest landscape of Molise in Italy; Scottish woodland; the Columbia River, and of the Thames Embankment in Victorian London.
Matagne examines French conservation policies in the 19th century with reference to three important issues: i) the protection of landscapes; ii) the protection of animal and vegetable species; and iii) nature conservation in the colonies.
G. P. Marsh wrote his monumental Man and Nature (1864) almost entirely in Italy, where he drew heavily from Italian insights and Italian landscapes.
This paper attempts to show the ways in which the recurring image of an older landscape served as a powerful metaphor in Chotanagpur’s resurgence.
A review of: Landscape and Memory by Simon Schama; Ecological Relations in Historical Times: Human Impact and Adaptation by Robin A. Butlin, and Neil Roberts; and Hunters and Collectors: The Antiquarian Imagination in Australia by Tom Griffiths.
The rapid expansion of European culture since the fifteenth century has greatly altered the face of the countryside all over the world. Among the most dramatic examples of this are the changes in North American nature wrought by Europeans since the seventeenth century…
The review of an introduction to environmental history by an historical geographer and of a comprehensive account of the Valasian bisses with directions for twenty one walks, the work of a former British consul in Geneva.
While their paintings and photographs sometimes helped to secure the protection of particular places, nineteenth-century artists often showed little respect for the environment when they set about securing their views.