"The Immense Cry Channeled by Pope Francis"
In his comment on the Papal encyclical Laudato si’, Bruno Latour considers Pope Francis’s attention to the earth and the poor, and what this means for the Catholic Church.
In his comment on the Papal encyclical Laudato si’, Bruno Latour considers Pope Francis’s attention to the earth and the poor, and what this means for the Catholic Church.
Deane-Drummond’s article for the Special Commentary section focuses on Pope Francis’s statements about Catholicism, the environment, and social issues. She analyses how his choice of terminology and the concepts he engages set him apart from others speaking out on climate and inequality, and recognizes his contribution to environmental humanities literature.
Northcott’s article for the Special Commentary section discusses the content of Pope Francis’s Laudato si’, highlighting the economic implications of the Pope’s statements and the theological basis for them in the Christian tradition and elsewhere.
Jamie Lorimer uses the concept of awkwardness to discuss encounters between humans and the Auks, a family of maritime birds found on remote coastlines in cooler, Northern waters.
J. Baird Callicott replies to Thomas Greaves’ rejoinder on Callicott’s previous article, “A NeoPresocratic Manifesto.”
In this commentary, Rich Hutchings outlines his personal vision for the Environmental Humanities.
Goodchild’s article for the Special Commentary section analyzes Pope Francis’s Laudato si, focusing particularly on the concept of connectedness and the economic changes necessary for the Pope’s statements to become reality.
Handley’s article for the Special Commentary section explores Pope Francis’s Laudato si’, questioning the postsecularity of the environmental humanities and the continued dismissal of spiritual and religious discourse in the context of establishing an environmental ethos.
Margret Grebowicz argues that James Balog’s Extreme Ice Survey (EIS), in particular the time-lapse films of glaciers receding, presents a unique example of what Guy Debord calls the ”tautological” nature of spectacle, its capacity to serve as its own evidence at the same time as it becomes a mode of relation among people.
Elizabeth Callaway analyzes scientific literature on climate change, specifically from the Intergovernmental Panel on Climate Change, to consider how scientific representations structure, articulate, and inform our experience of time.