"Wonders with the Sea: Rachel Carson’s Ecological Aesthetic and the Mid-Century Reader"
Hagood looks at Rachel Carson’s earlier popular publications on the natural history of the oceans and their impact on Silent Spring (1962).
Hagood looks at Rachel Carson’s earlier popular publications on the natural history of the oceans and their impact on Silent Spring (1962).
Walker focuses on uncertainty as a boundary device that shapes scientific ethos in crucial ways and negotiates a relationship between technical science and public deliberation.
We know where trees grow, but what about ideas? Writer and literary scholar Samantha Walton used to think of research centers as static offices and corridors, hubs for ideas to cluster and sprout. But at the Landhaus, an eco-farm in Bavaria, it is on walks with other fellows where their “thoughts strung out like threads across the paths” they traversed together.
Martin Saxer introduces his project “Foraging at the Edge of Capitalism” detailing how his team works and what foraging means to them.
One of our editors, Brady Fauth, sits down with anthropologist Francesca Mezzenzana to discuss her developing research into children’s human–nonhuman relationships across cultures.
The earthworm becomes a muse in creativity and writing as Sumana Roy’s poem takes on the perspective of the invertebrate.
In this Springs article, landscape historian Sonja Dümpelmann and Rachel Carson Center editor Pauline Kargruber discuss plants in an urban environment.
A writer and literary scholar, Sule Emmanuel Egya weaves together a personal love letter to trees with accounts of having witnessed extractive wood logging in Gombe, Nigeria. To what extent can the Gombe State tree planting policy attempt to salvage such hostility toward trees?
In this Springs article, history of technology professor Nina Wormbs explores how people justify acting unsustainably.
The surprising career of the advertising slogan “everybody talks about the weather” is a story about political transformation.