Ethos: A Time For Change
This film examines political and economic crises and the role of a corporate military-industrial context in undermining democracy, and is narrated by actor Woody Harrelson.
This film examines political and economic crises and the role of a corporate military-industrial context in undermining democracy, and is narrated by actor Woody Harrelson.
This film uses the New Mexico chile pepper to investigate genetically modified foods and criticizes the practices of the companies involved.
This film investigates the cost of the Deepwater Horizon oil spill disaster on Lousiana communities, and criticizes the relationship between British Petroleum and the U.S. government.
This film examines the development of a new, more localized food system in Venezuela.
This film follows the inhabitants of an ancient Carpathian village as they resist its destruction by a Romanian-Canadian corporation, which plans to turn it into Europe’s largest mine for gold and silver.
This film investigates the crises facing China’s environment from the perspectives of four activists.
Earth First! Journal 23, no. 1 is dedicated to the topic of direct action: it feature a report on the 2002 Round River Rendezvous and the Eco-Bloc against the World Bank and IMF, both in Washington, and presents the Rupert Reverence, a group of dissident Cree, French Canadian locals and eco-tourist companies.
In Earth First! Journal 23, no. 2 Justin Ruben writes about the protests against the Free Trade Area of the Americas (FTAA) in Ecuador, Klee Benally explains the native resistance against developments in the Arizona Snowbowl, and Loki expresses solidarity with the US West Coast dockworkers.
In Earth First! Journal 23, no. 3 Tim Ream reflects on human induced weather changes, Jade gives an update on the struggle against Chevron Texaco in Ecuador, and Samantha and Ryan Simmons analyze the environmental consequences of militarism.
In Earth First! 23, no. 4 Patrick Reinsborough reports on the massive uprising in San Francisco against the US invasion of Iraq, James John Bell draws the connections between literature and eco-resistance, Sprig reflects on water and civilization, and Stiki presents the “ecoherbalist’s manifesto.”