"‘Like a Stone’: Ecology, Enargeia, and Ethical Time in Alice Oswald's Memorial"
Through readings of the works of artist/sculptor Ilana Halperin and poet Alice Oswald, David Farrier explores the idea of Anthropocene as marked by haunted time.
Through readings of the works of artist/sculptor Ilana Halperin and poet Alice Oswald, David Farrier explores the idea of Anthropocene as marked by haunted time.
Stephen Muecke’s essay for the Living Lexicon for the Environmental Humanities focuses on the attachment of humans and the role this attachment has in the construction of “being.”
J. Baird Callicott replies to Thomas Greaves’ rejoinder on Callicott’s previous article, “A NeoPresocratic Manifesto.”
In this commentary, Rich Hutchings outlines his personal vision for the Environmental Humanities.
Lestel, Bussolini, and Chrulew present a bi-constructivist approach to the study of animal life, opposed to the realist-Cartesian paradigm in which most ethology operates.
In the special section “Imagining Anew: Challenges of Representing the Anthropocene,” Alexa Weik von Mossner analyzes Dale Pendell’s speculative novel The Great Bay.
In the special section “Provocations,” Noel Castree reviews the growing stream of publications authored by humanists about the Holocene’s proclaimed end. He argues that these publications evidence environmental humanists as playing two roles with respect to the geoscientific claims they are reacting to: the roles of “inventor-discloser” or “deconstructor-critic.”
In his article for the special section “Living Lexicon for the Environmental Humanities,” Cameron Muir asks, “how do we respond to the broken, as scholars, writers, artists? And what can the broken tell us?”
For the special section “Living Lexicon for the Environmental Humanities,” Thom van Dooren offers a meditation on “care” as a practice of worlding, asking what it means to care for others at the edge of extinction, and arguing for the importance of placing care at the center of critical work.
For the special section “Living Lexicon for the Environmental Humanities,” Celia Lowe reflects on the meanings of “infection” and the problems these pose for the Environmental Humanities.