Stockholm Resilience Centre advances the understanding of complex social-ecological systems and generates new insights and development to improve ecosystem management practices and long-term sustainability.
This essay examines environmental thought in China and the West to propose an “ecological history” that offers new ways to think about the human/nature relationship.
Eileen Crist critiques the recent proposal to name our current geological epoch “the Anthropocene.”
Denis Byrne explores the 1880s reclamation of the Elizabeth Bay in Sydney Harbour, encountering historical influences such as sandstone wall constructions, buried objects, and colonial narratives. He argues in this article that archaeology has a role to play in bringing reclamations and other aspects of the Anthropocene into view.
Hornby draws attention to the work of Danish artist Olafur Eliasson, whose immersive installations aim to increase environmental awareness, arguing that Eliasson’s environments are fully orchestrated affairs that share the technologies and efforts of the twentieth and twenty-first centuries’ militarization of climate control.
Through readings of the works of artist/sculptor Ilana Halperin and poet Alice Oswald, David Farrier explores the idea of Anthropocene as marked by haunted time.
Marco Armiero, Robert S. Emmett, and Gregg Mitman have assembled a cabinet of curiosities for the Anthropocene, bringing together a mix of lively essays, creatively chosen objects, and stunning photographs by acclaimed photographer Tim Flach. Future Remains gathers fifteen objects which resemble more the tarots of a fortuneteller than the archaeological finds of an expedition—they speak of planetary futures.
Paul Gillen explores the role of conscious human agency leading up to the Anthropocene, suggesting that the development of sentience in the Phanerozoic eon exerted an influence on the interaction of minerals and life.
Greg Garrard, Gary Handwerk, and Sabine Wilke, editors of the special section titled “Imagining Anew: Challenges of Representing the Anthropocene,” introduce this collection of essays from diverse humanities disciplines.
In the special section “Imagining Anew: Challenges of Representing the Anthropocene,” Tobias Boes examines the hermeneutic and poetic operations by which we as human beings turn our very planet into a signifier for our collective existence as a species, a process he refers to as “planetary mediation.”
