Hornby draws attention to the work of Danish artist Olafur Eliasson, whose immersive installations aim to increase environmental awareness, arguing that Eliasson’s environments are fully orchestrated affairs that share the technologies and efforts of the twentieth and twenty-first centuries’ militarization of climate control.

Marco Armiero, Robert S. Emmett, and Gregg Mitman have assembled a cabinet of curiosities for the Anthropocene, bringing together a mix of lively essays, creatively chosen objects, and stunning photographs by acclaimed photographer Tim Flach. Future Remains gathers fifteen objects which resemble more the tarots of a fortuneteller than the archaeological finds of an expedition—they speak of planetary futures.

Greg Garrard, Gary Handwerk, and Sabine Wilke, editors of the special section titled “Imagining Anew: Challenges of Representing the Anthropocene,” introduce this collection of essays from diverse humanities disciplines.

In the special section “Imagining Anew: Challenges of Representing the Anthropocene,” Thomas Lekan offers a postcolonial critique of recent environmentalist literature and exhibitions that frame the Anthropocene using the NASA Apollo mission’s Earthrise (1968) and Blue Marble (1972) photographs from space.