"Slamming the Anthropocene: Performing climate change in museums"
Libby Robin and Cameron Muir discuss representations of the Anthropocene in museums and events.
Libby Robin and Cameron Muir discuss representations of the Anthropocene in museums and events.
In this chapter from the virtual exhibition “Global Environments: A 360º Visual Journey,” Jeroen Oomen and Adam Sébire delve into the world of Carbon Capture and Storage (CCS) technologies through a video triptych in Hellisheiði in Iceland. The three screens, shown here in one video, capture experiments at Hellishei∂i, aspects of the sequestered CO2, and an imagined future.
In this introduction to a special issue on human-nature interactions through a multispecies lens, the authors focus on the notion of “multispecies assemblages” and their role in conservation theory and practice at the intersection between ecology, history, and society.
Adrian Ivakhiv proposes an ecological realism based on humanity’s eventual demise, asking what we can do now and what quality of compost we should leave behind.
Vital Reenchantments takes up E. O. Wilson’s Biophilia (1984), James Lovelock’s Gaia (1979), and Carl Sagan’s Cosmos (1980), to show how each work fleshes out scientific concepts with attention to “affective wonder.”
Manifesto for Living in the Anthropocene argues that the current climate crisis calls for new ways of thinking and producing knowledge, suggesting that our collective inclination has been to go on in an experimental and exploratory mode, in which we refuse to foreclose on options or jump too quickly to “solutions.”
Contributing authors examine what happens when we cease to assume that only humans exert agency, by considering animals and vegetables as agents rather than mere objects.
This collection of essays maps the heterogeneous and asymmetrical ecologies within which we are enmeshed, a material world that makes the human possible but also offers difficulties and resistance.
Drawing on Continental theory and various cultural objects, On an Ungrounded Earth constructs an eclectic geosophy describing Earth as a dynamic engine materially invading and upsetting our attempts to reduce it to merely the ground beneath our feet.
The Aldo Leopold Archives in the University of Wisconsin-Madison Libraries Digital Collections serve scholars, policy leaders, and the general public who look to Aldo Leopold for insight and inspiration on how to deal with complex conservation challenges facing society in the twenty-first century.