My Mother, Oak
This film tells the stories of displaced people and livelihood changes in Iran after the construction of the Karun-3 Dam which submerged 12,300 acres of valuable forest with water.
This film tells the stories of displaced people and livelihood changes in Iran after the construction of the Karun-3 Dam which submerged 12,300 acres of valuable forest with water.
This film follows activists campaigning for the legalization of industrial hemp, which they believe has great potential for sustainability.
This film follows the filmmaker to the remote temperate rainforest of Vancouver Island, and shows how modern logging, in contrast to indigenous forestry practices, is leading to its rapid extinction.
Earth First! Journal 31, no. 3 presents thoughts on jaguar recovery in the United States, ecocide and renewal in Iraq’s marshlands, South Florida forest defense work, and native land rights at Glen Cove.
In this Arcadia article, environmental historian Emmanuel Kreike explores the relationship between conservation and deforestation in twentieth-century Namibia.
Jungleburgers is a documentary about the rainforest in Costa Rica being destroyed for the sake of low-cost beef for the US hamburger market.
Postcolonial Ecologies: Literatures of the Environment is the first edited collection to bring ecocritical studies into a necessary dialogue with postcolonial studies.
This volume focuses on environmental knowledge production in the United States by taking as starting points the impact of natural catastrophes and of public debates on climate change and environmental threats.
Disrupted Landscapes focuses on the emblematic case of postsocialist Romania, in which the transition from collectivization to privatization profoundly reshaped the nation’s forests, farmlands, and rivers.
This article looks at the history of colonial forest policies in South India to argue that initially British destroyed most the accessible forests and used desiccationist fears to justify the colonial state’s monopolistic control over the forests.