Responding to the Anthropocene: Perspectives from Twelve Academic Disciplines
In this book, scholars and scientists from twelve disciplines write about the Anthropocene.
In this book, scholars and scientists from twelve disciplines write about the Anthropocene.
Libby Robin and Cameron Muir discuss representations of the Anthropocene in museums and events.
Museum exhibitions offer a unique space for creating a three-dimensional experience of the systemic interconnectedness that characterizes the Anthropocene, as well as encouraging reflection and participatory discussion. The Deutsches Museum has decided to tackle the challenges of this new age head-on and become the first museum to create a major exhibition on the Anthropocene. While curating an exhibition, we also tackle the question of how to “curate” the planet in its literal sense of taking care of it and curing it.
Manifesto for Living in the Anthropocene argues that the current climate crisis calls for new ways of thinking and producing knowledge, suggesting that our collective inclination has been to go on in an experimental and exploratory mode, in which we refuse to foreclose on options or jump too quickly to “solutions.”
Julia Adeney Thomas explores three types of narrative that are emerging as people try to get to grips with the Anthropocene and their potential for steering our future course.
Considering Caroline Wendling’s living artwork White Wood (2014) in northeast Scotland, the author examines the relationship between deep time, ecology, and enchantment.
Jonathan Woolley borrows the folkloristic, East Anglia figure of Black Shuck, a devilish hound, and connects it to a narrative of the Anthropocene based on the notions of inescapable mortality, deep time, and responsibility.
Reinhold Leinfelder, Affiliated Carson Professor as of 2012, speaks about his research concerning the Anthropocene.
Stefan Skrimshire considers the ethical question of how to communicate with future human societies in terms of long-term disposal of radioactive fuel. He proposes that the confessional form (as propagated by Saint Augustine and critiqued by Derrida) may become increasingly pertinent to activists, artists, and faith communities making sense of humanity’s ethical commitments in deep time.
The authors detail their experience of Puchuncavi, the largest, oldest, and most polluting industrial area in Chile. They approach it from a multidisciplinary viewpoint as an experience of the Anthropocene and advocate for an enhanced pedagogy of care born of our inherited pasts and of engagement, interest, and becoming as response-ability.