Men and Nature: Hegemonic Masculinities and Environmental Change
The essays in this collection explore how masculine roles, identities, and practices shape human relationships with the more-than-human world.
The essays in this collection explore how masculine roles, identities, and practices shape human relationships with the more-than-human world.
Jim Fleming gives an overview of the male-dominated state of climate engineering proposals and criticizes the current masculinist nature of climate intervention.
Hornby draws attention to the work of Danish artist Olafur Eliasson, whose immersive installations aim to increase environmental awareness, arguing that Eliasson’s environments are fully orchestrated affairs that share the technologies and efforts of the twentieth and twenty-first centuries’ militarization of climate control.
Margret Grebowicz argues that James Balog’s Extreme Ice Survey (EIS), in particular the time-lapse films of glaciers receding, presents a unique example of what Guy Debord calls the ”tautological” nature of spectacle, its capacity to serve as its own evidence at the same time as it becomes a mode of relation among people.
Elizabeth Callaway analyzes scientific literature on climate change, specifically from the Intergovernmental Panel on Climate Change, to consider how scientific representations structure, articulate, and inform our experience of time.
From an analysis of 1500 articles published from 2005 to 2013, Anshelm and Hansson distill four storylines representing geoengineering advocacy in the public discourse in mass media.
In this chapter of her virtual exhibition, “Human-Nature Relations in German Literature,” Sabine Wilke examines mountains and glacial environments in German-language literary descriptions. Whereas the German Romantic poets still highlighted mountainous nature as deeply ambiguous, Goethe’s Faust tried to understand mountainous nature in its materiality through scientific studies. Modernism focuses on the more often destructive results of human-nature entanglements. For the German-language version of this exhibition, click here.
In this commentary, Stefan Helmreich considers how Hokusai’s famous woodblock print, The Great Wave, has recently been leveraged into commentaries upon the Anthropocene, and how the image has been adapted to speak to the contemporary human-generated global oceanic crisis.
In this Special Section on Familiarizing the Extraterrestrial / Making Our Planet Alien, edited by Istvan Praet and Juan Francisco Salazar, Jessica O’Reilly compares the paramilitary practicalities of Antarctic research station and field camp life with the visions of the Antarctic as a place of sublime wild nature, violent death, and climate disaster.
Detailing the converging human and geological histories of Glacier National Park, US, this article traces the demise of the park’s primary attraction, the glaciers.