“Rain, Carson, Art, Salt: A Venetian Matrix”
Novelist Catherine Bush walks the streets of Venice, seeking art that engages with Rachel Carson at the Biennale Arte 2024.
Novelist Catherine Bush walks the streets of Venice, seeking art that engages with Rachel Carson at the Biennale Arte 2024.
One of our editors, Brady Fauth, sits down with anthropologist Francesca Mezzenzana to discuss her developing research into children’s human–nonhuman relationships across cultures.
The surprising career of the advertising slogan “everybody talks about the weather” is a story about political transformation.
The Azorean archipelago is a lesson not only in geography and geology but also in cooking stew.
This essay brings previously underexplored paths of political ecology, environmental history, and even biosemiotics and plant neurophysiology in Italo Calvino’s The Baron in the Trees (1957) to light.
Human geographer Mike Hulme looks at sociotechnical developments that have changed the climate and, at the same time, the way we experience the weather.
Jenny Price argues the efficacy of alt-institution public art projects for environmental humanities practitioners and uses examples from her own practice and beyond.
Joseph Adeniran Adedeji shows how the cultural meaning of Yoruba heritage sites signify hope for a harmonious coexistence between society and the nonhuman world.
In this Springs article, historian Paul S. Sutter considers the “Knowledge Anthropocene” as well as deep time in George Perkins Marsh’s understanding of the construction of Panama’s Darién canal.
Seeing the Woods is the official blog of the Rachel Carson Center for Environment and Society.