Humans and machines | Welcome to the Anthropocene
This is a chapter of the virtual exhibition “Welcome to the Anthropocene: The Earth in Our Hands”—written and curated by historian Nina Möllers.
This is a chapter of the virtual exhibition “Welcome to the Anthropocene: The Earth in Our Hands”—written and curated by historian Nina Möllers.
In this commentary, Stefan Helmreich considers how Hokusai’s famous woodblock print, The Great Wave, has recently been leveraged into commentaries upon the Anthropocene, and how the image has been adapted to speak to the contemporary human-generated global oceanic crisis.
The 11th Hour stresses the urgency of the issues plaguing our planet, and the current generation’s pivotal role in tackling them. It features several leaders and experts and is narrated by Leonardo DiCaprio.
An Inconvenient Truth is a passionate and inspirational look at former Vice President Al Gore’s fervent crusade to halt global warming’s deadly progress by exposing the myths and misconceptions that surround it.
This book packs into one slender volume a sweeping tale of fire, and humanity’s interactions with fire, from prehistory to the dawn of the twenty-first century.
In this Special Section on Familiarizing the Extraterrestrial / Making Our Planet Alien, edited by Istvan Praet and Juan Francisco Salazar, Jessica O’Reilly compares the paramilitary practicalities of Antarctic research station and field camp life with the visions of the Antarctic as a place of sublime wild nature, violent death, and climate disaster.
In this episode from the New Books Network podcast, Stephen J. Pyne is interviewed on his recent book, The Pyrocene: How We Created an Age of Fire, and What Happens Next.
Kate Rigby examines a variety of past disasters, from the Black Death of the Middle Ages to the mega-hurricanes of the twenty-first century, revealing the dynamic interaction of diverse human and nonhuman factors in their causation, unfolding, and aftermath. Focusing on the link between the ways disasters are framed by the stories told about them and how people tend to respond to them in practice, Rigby also shows how works of narrative fiction invite ethical reflection on human relations with one another, with our often unruly earthly environs, and with other species in the face of eco-catastrophe.
Ecoanxiety in Mary Shelley’s Frankenstein signals our ability to create art in reaction to environmental disaster in increasingly unstable planetary futures.