Vicki Powys, Hollis Taylor and Carol Probets discuss the sonic achievements of Lyrebirds through concepts of memory and narrativity.
Patrick Bresnihan reveals how John Clare’s poetry challenged the naturalization of scarcity, instead describing the different natures which unfold through ongoing, negotiated, and changing relations between people and things.
Deborah Bird Rose aims to bring Val Plumwood’s philosophical animism into dialogue with Rose’s Australian Aboriginal teachers.
In this Review Essay, Karyn Pilgrim uses a vegetarian ecofeminist framework to examine the ethics of meat eating, arguing that a moral ambivalence prevails in the rhetoric of some popular nonfiction books that embrace omnivorous eating.
Eileen Crist critiques the recent proposal to name our current geological epoch “the Anthropocene.”
In this commentary piece, Tom Greaves responds to J. Baird Callicott, arguing that the historical narrative that Callicott derives from Aristotle regarding the development of philosophical thought from natural philosophy to social and moral concerns, is not the best way to conceive of the project of the Presocratics.
By theorizing the temporalities of political-economic transformations as embodied in key conservationist and educational institutions, Erin Fitz-Henry argues that we can deepen our understanding of “worlds-otherwise” and work toward clarifying the institutional conditions that mitigate their flourishing.
Sarah Besky explores the interactions of workers, students, and city residents with environmental events, crumbling infrastructure, and wildlife in Darjeeling, with a focus on the role of the district as a site of extraction.
Denis Byrne explores the 1880s reclamation of the Elizabeth Bay in Sydney Harbour, encountering historical influences such as sandstone wall constructions, buried objects, and colonial narratives. He argues in this article that archaeology has a role to play in bringing reclamations and other aspects of the Anthropocene into view.
Hornby draws attention to the work of Danish artist Olafur Eliasson, whose immersive installations aim to increase environmental awareness, arguing that Eliasson’s environments are fully orchestrated affairs that share the technologies and efforts of the twentieth and twenty-first centuries’ militarization of climate control.
