By privileging music as a focus for applied ecology, Robin Ryan aims to deepen perspectives on the musical representation of land in an age of complex environmental challenge.

This special section edited by Franklin Ginn, Uli Beisel, and Maan Barua considers how multispecies flourishing works when the creatures are awkward, when togetherness is difficult, when vulnerability is in the making, and death is at hand.

Looking to the work of Samuel R. Delaney, Sarah Ensor asks what it would mean to use the practice of cruising as a model for a new ecological ethic more deeply attuned to our impersonal intimacies with the human, nonhuman, and elemental strangers that constitute both our environment and ourselves.

Harriet Ritvo’s article for the Living Lexicon for the Environmental Humanities section views the proliferation of introduced species as a symptom rather than a cause, and urges the identification of the real causes through a reconsideration of the morally loaded rhetoric within which biological migration and transplantation are often couched.